Tuesday, January 24, 2012

ASSUME NOTHING - Gar Anthony Haywood

First line: "His last night in Florida, Joe Reddick remembered the blood in the goldfish bowl."

Living through the experience of losing his family to a crazed killer causes Joe Reddick to be over-protective of his second family. Andy Baumhower has no knowledge of Reddick or his past when fate sends Baumhower's van crashing into Reddick's car. Baumhower happens to be returning from dumping a body in the L.A. River. Reddick's completely ignorant to that fact, but it doesn't keep Baumhower's partners from thinking otherwise. They decide to threaten Reddick's family to make sure he doesn't talk. Wrong decision!

ASSUME NOTHING is the type of plot where one freak situation leads to another freak situation and events simply snowball. Haywood doesn't interject insulting humor that often comes with stories like this, leaving readers shaking their heads and mumbling, "that would never happen; how ridiculous." Instead he depicts a scenario readers will find highly probable. One that may even leave them to be terrified of experiencing a fender bender ever again. The plot is built with well-placed twists and unexpected turns. And his use of alternating perspectives creates mini-cliff-hangers that intensify the suspense.

While I can't say that the scarred hero taking on improbable odds is a unique story concept, I can say that Gar Anthony Haywood writes with an exquisite style unlike anyone else. His descriptions bring dimension to a flat page and breathe life into fictional characters:

"The man named Junior Greene whom Reddick knew during his old days on the Riviera Beach Police Department was tall, black, and ugly as homemade sin. And it only made matters worse that he had the teeth of a bull moose.

"When Greene smiled, he looked like a fighter trying to eject his mouthpiece."

The dichotomy of beautiful use of language to create an ugliness so vivid you feel goosebumps raise on your arms is what this joy of reading is all about. And Haywood's writing can grab your heart just as effectively:

"He'd been an emotional cripple for a long time, a borderline psychopath walking a razor wire between normalcy and madness, and now he'd been pushed over the edge. His head throbbed and his body ached, and he felt like the only thing holding him together was his skin, that if he turned too quickly in one direction or another, he'd crumble into a pile of ashes that would then scatter to the far winds."

ASSUME NOTHING has good guys employing vigilante tactics to defeat the bad guys. Whether readers condone his cowboy approach or not, they'll be cheering for Reddick because ultimately they're praying that life isn't so cruel as to condemn the innocent and reward the guilty over and over and over again. In Haywood's world, Fate can be very unkind; the question is, can man's determination overpower it?

ASSUME NOTHING is fast-paced, beautifully written, thought-provoking and simply put, a spectacular book. Gar Anthony Haywood is a hidden gem. It's time for crime fiction to expose this prize and let him sparkle!

ASSUME NOTHING is available now from Severn House in hardcover (ISBN: 9780727880833).

Monday, January 23, 2012

TAKEN - Robert Crais

First line: "Jack Berman wrapped his arms around his girlfriend, Krista Morales, and watched his breath fog in the cold desert air."

In Robert Crais' fifteenth book of the Elvis Cole/Joe Pike series (18th book overall), he dives head first into the timely subject of illegal immigration. But instead of attacking this subject in the way we're most accustomed, he examines it at a new angle.

Bajadores are criminals who feed on other criminals. Coyotes help guide the immigrants across American borders, often for astronomical sums of money - astronomical to the people asking for their help anyway. These are mostly poor, destitute immigrants looking for a better way of life. They'll sacrifice whatever they possibly can. The bajadores attack the coyotes when they are leading their groups to safety. They kill the coyotes, kidnap the immigrants and hold them for ransom until their families can no longer pay. Then they kill the immigrants. Jack and Krista, a first generation Hispanic-American, inadvertently find themselves in the midst of one of these kidnappings. Corralled up with the immigrants, the bajadores haul off the young couple to be ransomed to their families.

Krista's mother initially thinks her daughter is pulling a prank on her, but when the situation seems like more than a prank, she does what few families in this situation dare to do, she goes in search of help. Having read a newspaper article about the "World's Greatest Detective," she calls on Elvis Cole. But the situation escalates when Elvis also finds himself captured by the bajadores. Joe Pike and mercenary pal, Jon Stone, race time and an intricate network of deceit to find Elvis before the bajadores kill him and move on.

TAKEN is an emotionally charged novel; I've come to expect nothing less from Crais. While Crais avoids the gratuitous gore that others might use to evoke a reaction in the reader, he also doesn't sugar coat the horrors. His approach is far more effective in that it strikes the readers' hearts instead of their gag reflexes. To experience the utter disregard for human life and the disdain for fellow man leaves scars on your soul. There is no doubt that the sociopaths of TAKEN are the stuff true nightmares of made of.

Crais' continuing theme of family is once again strong in TAKEN. The most obvious illustration is the bajadores abuse of strong family ties. The non-traditional family form is seen in Jack's relationship with his guardian. And a highly symbolic car-washing scenes reinforce the bonds between Elvis and Joe. While family ties leave people vulnerable, they also infuse those same people with extraordinary determination.

Stone's return to the fold is most welcome. Crais continues to flush out his character, making him a more integral part of the Cole/Pike world. And his humor lightens the heaviness of the subject matter. I, for one, hope to see more of Stone in the future and wouldn't mind Stone taking the reins of his own book.

The one element of TAKEN that I wrestled with and mulled over for quite awhile was the sequencing. Crais plots this novel out of time sequence, dancing back and forth to before and after Elvis is abducted. I found it distracting at times, thinking something didn't fit correctly in the sequence and trying to go back and confirm. But after thinking about my reactions to this approach, I realized it also left me in a discombobulated state: not being sure of time or place. And that mimicked the state the captives experienced being locked in rooms with no view to the outside world, no grasp on time or place. So in the end, I think that technique achieved its goal.

TAKEN illustrates everything that is exceptional about Robert Crais' writing. If after four years of my touting his skill you still have not experienced Crais. Now is the time. If you're a Craisie like me, TAKEN will not disappoint.

TAKEN is available tomorrow from Putnam in hardcover (ISBN: 9780399158278) and from Brilliance Audio, narrated by Luke Daniels, on audiobook (ISBN: 9781423375654).

Saturday, January 21, 2012

Reading Challenges for 2012

It's kind of funny for me to be contemplating reading challenges. I should be challenging myself to post more consistently! I have tons of content and am falling behind. But this post is part of that content, so I guess it's o.k.

I joined three reading challenges this year. I'm taking another stab at the "What's in a Name" challenge, hosted by Beth Fish Reads. I did pretty good last year, but didn't end up with a book title that contained a gem or jewelry. This year I'll probably have 10 titles that fit it! Anyway, this year's challenge includes these requirements books with following in their titles:

  • a topographical feature
  • something you'd see in the sky
  • a creepy crawly
  • a type of house
  • something you'd carry in your pocket, purse or backpack
  • something you'd find on a calendar

I've already finished my requirement for something you'd see in the sky. Any thoughts on the other categories?

The second challenge is the Audiobook Challenge. I should easily accomplish the "married" status on this one, but for anyone who's needed a little nudging to get started with audiobooks, this might be the motivation you've been waiting for. Check it out.

And then since I'm hosting a challenge, I thought it a good idea to participate in it: Criminal Plots II. But I'm hearing people talk about their titles and I think everyone else is better prepared for my challenge than I am. The topics this year include:

  • Book with a weapon in the title
  • Book published at least 10 years ago
  • Book written by an author from your state/providence
  • Book written by an author using a pen name
  • Crime novel whose protagonist is the opposite gender of the author
  • Standalone novel written by an author who writes at least one series

I do have my choice for the author from Ohio. It just so happens I was pitched a great sounding  novel from a brand new-to-me author from Ohio. I'm excited about that one. If you haven't signed up to join us, I hope you'll take the plunge. Also, encourage a friend to join you, make it a friendly challenge! I would really like to encourage some folks who aren't typically crime readers to test the waters of the genre. And I love finding out what others are reading. I always discover some new authors/titles this way!

And a quick reminder that I'm recruiting bloggers to join the theme week in April. This year it's called HEROES AND VILLAINS. I'll be sending out the information sheet to interested bloggers soon, so if you think you might want to participate, please go here and fill out the form so I know to send you the info. We have a great time each year so if you haven't participated in the past, I hope you'll consider it this year. If you're not a blogger, there will be plenty of opportunity for you to participate during the theme week with great posts and contests. Plus we'll have the annual tournament as well and will need your votes!

For those of you in the cold parts of the world, stay warm. Those of you in the warm parts of the world...I'm jealous. And to everyone, Happy Reading!

Thursday, January 19, 2012

THE DISPATCHER - Ryan David Jahn

I am posting my review of THE DISPATCHER with permission from Shelf Awareness where the review appeared earlier this month.

First line: "Ian Hunt is less than an hour from the end of his shift when he gets the call from his dead daughter."

Ian Hunt, the town police dispatcher, is hard at work on a solitaire game when the 9-1-1 call comes into the Bulls Mouth police station. Expecting the usual small-town emergency call, he discovers his daughter on the other end, the daughter who was kidnapped seven years ago, the daughter who they buried in a symbolic ceremony only four months earlier. She manages to elude her captors. But before Ian can get help to her, the kidnapper grabs her again and is on the run. Now the depths of Ian’s love for his child are put to the test. How far is he willing to go to save her?

Ryan David Jahn (Good Neighbors) expertly weaves the story of a battle between two men who both believe they are fighting to protect their families. Their actions mirror one other, and each judges the opposite for those actions. When man pushes aside the laws of society for what he deems justifiable cause, the result is physical, mental and emotional carnage.

Jahn’s quiet intensity lulls the reader into the sleepy town atmosphere. And the explosive action is heightened as a result. Meanwhile Jahn builds the reader’s empathy for his characters through flashback scenes, helping the reader find justification in lawlessness. The Dispatcher is a tale that challenges readers’ perceptions of right and wrong, good and bad. The grime of this small town leaves everyone’s hat dirty; it’s virtually impossible to tell who’s wearing the white ones.

THE DISPATCHER is available now in trade paper (ISBN 978-0143120704) from Penguin.

Tuesday, January 17, 2012

THE SILENT OLIGARCH - Chris Morgan Jones

First line: "High in the air Webster watches the unbroken desert flow past, a deep copper red in the dawn, the sand ridged like waves rolling down toward the south."

Richard Lock, an English lawyer, leads a seemingly plush life as the puppet running a Russian company. The company is nothing more than a front, allowing Konstantin Malin to hide the complex network that enables him to control the Russian oil industry. When a disgruntled and equally corrupt competitor tries to unveil their secrets by hiring a corporate intelligence spy, Lock's plush life quickly comes apart at its very loosely sewn seems.

THE SILENT OLIGARCH is an astonishing debut novel. The complexity of the network Morgan Jones has devised demands an equally complex plot and that's exactly what THE SILENT OLIGARCH is. Much like a labyrinth, the series of corporate hide-a-ways leads Benjamin Webster, the corporate intelligence spy, down many dead ends, literally. When Webster begins turning over rocks, he finds he's leaving a trail of corpses. Webster's fervor to take Malin down is linked to a horror from his past. But he must ask himself if his determination to avenge that nightmare is worth creating more.

Chris Morgan Jones writes with the confidence of an insider, thanks to his years at the world's largest business intelligence company, but he also writes with the confidence of someone who understands his characters inside and out. Malin's constant calm, composed veneer contrasts sharply against Richard Lock's genuine panic. And while Webster simply wants justice, his conflict over whether or not the price of that justice is too high grips the empathy of the reader. That in turn enables the average reader to connect with a world - and the people inhabiting it - that most will never know personally. Yet, they'll walk away feeling as if they do. There are no characters wearing magic capes in THE SILENT OLIGARCH, only real flesh and blood humans.

The pacing is swift, but not so much so that readers will have difficulty keeping up with all the players in the game. Dialogue is well written and natural. And the atmosphere creates a definite sense of place. The scenes in Moscow have a much darker tone than those set in London or Monte Carlo. Readers will be able to feel the deception in Moscow and the sheer desperation to escape in London.

Chris Morgan Jones is definitely on his way to claim a spot among the elite international thriller writers.

THE SILENT OLIGARCH releases Thursday in hardcover (ISBN: 978-1594203190) from The Penguin Press.

My post today is the first on TLC's blog tour. I hope you'll check out the other blogs and as they post  their reactions to THE SILENT OLIGARCH throughout January and February.

And if any of my former students happen to be reading this blog post, I told you "oligarchy" would be a valuable vocabulary word one day! ;-) Happy Reading!

Sunday, January 15, 2012

Odds and Ends and the 2012 Theme Week

Time is already trying to speed by me in 2012. Goodness. To bad this snow isn't speeding by. I'm over it already.

I wanted to share a few odds and ends with you. The first being a "full disclosure" type of thing. I have been doing some work now for awhile with Maddee James at xuni.com, as you know. And I've also started to do some support work with Erin Mitchell for her business HEW (which handles author PR). Some of the authors I read are clients of Maddee or Erin. Their status as clients doesn't change the stipulations for reviews here. I still have to be interested in a book to read it and I have to like it to post about it. There are no expectations that my blog will be used for anything related to either organization. It is my personal and private endeavor - so my opinions reflect only ME, not xuni.com and not HEW.  That being said, I am also going to label any of those authors with the "xuni" tag or the "HEW" tag, so you know if they have that connection. You may take that into consideration when deciding whether  you're going to heed my advice on a book. It's very important to me that I'm up front about it.

O.k., on to fun stuff, like World Book Night. Have you all heard about this? I've mentioned it on Twitter and Facebook because I put my name into the hat for consideration as a book giver. I hope you'll take a minute or two to check it out. And if you're interested, sign up to be considered as a book giver!

There are a couple of book giveaways that Regal Literary is holding you might be interested in. First they have Josh Bazell's WILD THING and then also Donato Carrisi's THE WHISPERER. You have to enter by February 8th to be considered for those.

Speaking of giveaways! Congratulations to Michael A (CA) and Bobbie R (IL) who won the TINKER TAILOR SOLDIER SPY giveaway here. I have passed on your mailing addresses to the folks at Focus Features (trying saying that three times fast) so you can receive your loot! I loved all of your spy names.


And the last item I have for this post is the blogger sign-up for this year's theme week. The theme is "Heroes & Villains" and will encompass all sub-genres. So no matter what crime fiction you fancy, it will fit in this year's theme week. The dates of the theme week are April 16-20. I hope you'll join in. And I hope you'll encourage others to join in as well. I'd love for some folks who aren't typical readers of the genre to give it a try. Really, what do you have to lose? Bloggers interested in participating, please just complete the quick form below and I'll be sending out an info sheet with all the specifics.



Stay warm and happy reading!

Tuesday, January 10, 2012

START SHOOTING - Charlie Newton

First line: "The girl was thirteen and Irish, and fashioned out of sunlight so bright she made you believe in angels."

Bobby Vargas is a Chicago beat cop - about as straight as they come – with aspirations of making a living playing jazz guitar. When a blast from his past shows up in the form of an old girlfriend he believed to be dead, Bobby’s life is turned upside down and inside out. Arlene has remained the elusive “love of Bobby’s life.” Much like their hallowed childhood friend, Pete Pan, Arlene remained forever young and pure and perfect in Bobby’s memory. However, reality splashes harsh color on the canvas and a whole different picture evolves; Bobby fights to hold his life together, watching helplessly as powerful forces tear apart his very foundation.

There may have been some time between Charlie Newton’s acclaimed debut novel, CALUMET CITY, and this follow-up, but the product was more than worth the wait. The dark underside of Chicago’s gangland snarls and bites juxtaposed against the sheer beauty of Newton’s writing. Echoes of Newton’s musical influence come through in his language and that dichotomy raises the emotional impact.

The characters that compose the cast of START SHOOTING run the gamut, and not one feels forced or flat or superficial. Every character carries the weight of life; some characters just have a heavier bag than others.

Themes of dreams, sacrifice, hope and perseverance proliferate: Chicago setting its sights on an Olympic bid, no name actresses seeing their names in lights, the innocent believing in the justice system. No matter how slim the chance, somehow striving to reach the goal is worth the likelihood of missing altogether.

This gritty, dark, brutal love story hidden in the guise of a crime novel captivates readers, transporting them to Newton’s chilling world where nothing is as it seems and if you don’t learn to play dirty, you’re guaranteed to lose.

If you’ve experienced Newton’s CALUMET CITY, you’ve likely been waiting anxiously for this release. If you haven’t experienced Charlie Newton’s art yet, now is the time. Make haste!

START SHOOTING is available today from Doubleday (ISBN: 9780385534697). I believe there will also be an audio version produced from Books on Tape, narrated by Nancy Linari, Tish Hicks and Serafin Falcon.

Monday, January 9, 2012

Resolutions and other stuff

Holy cow! How did a week of this year go by already? It's been a whirlwind, and I'm wondering if that's going to be an oddity or a sign of what's to come.

Anyway, I wanted to mention my reading and blogging resolutions for this year.

Last year I mentioned the second annual theme week. That happened. Very excited about the success of Moonlighting for Murder. The third annual theme week is in the planning stages. Look for more information coming soon on "Heroes and Villains."

The first Criminal Plots reading challenge took place last year. And we're going for year #2. I'd like to increase the number of participants and my big goal with the Criminal Plots II challenge is to encourage some readers who wouldn't have otherwise picked up crime fiction to take a look. I hope you'll help me coax some of those folks into participating. I'm ready to help with any recommendations anyone might need. Younger readers are welcome, too. There's lots of fun mystery content out there for Middle Grades and YA.

And that brings me to a new resolution...I'm going to try to cover at least a smattering of Middle Grades and YA books this year, to share all ranges of the genre. We'll see how that one goes.

Last year I wanted to read at least 40 books from new-to-me authors. I ended the year with 51, so I did very well in that category. I'd like to have at least 50 again this year. But this is actually getting harder. There are so many now that I need to make sure I read whenever a new one comes out. Adding 50 new authors. We'll see how that goes.

I set a goal to average at least 1 author event a month. I definitely made that mark. The big events included: Love is Murder in Chicago, Printers Row in Chicago, BEA/Book Bloggers Conference in New York, Bouchercon in St. Louis and Muskego in Milwaukee. Good lord, no wonder I'm still tired! I also was able to see Robert Crais, my first event at Mystery One in Milwaukee. Yay! I finally got to meet the wonderful Linda Fairstein in person! Just love her. Craig Johnson came to CAMEX and he accompanied me on my first trip to Houston's Murder by the Book! Brian Freeman came to Cleveland in May and Chris Grabenstein came for the Young Authors event at Lorain County Community College. The snow and ice finally let up and Michael Koryta made it back to Cleveland. Karin Slaughter visited our wonderful library system, as did Louise Penny and Craig McDonald. At BEA I finally got to meet Brad Meltzer who is just spectacular! In July I went to the Chicago Comic Con to see Gregg Hurwitz, who also happened to be the Sexiest Male Author this year, have I mentioned that? ;-) I'm thrilled that I was finally able to meet Bill Cameron and Will Lavender in person and that I was fortunate to see many of my other friends in this community as well. It's definitely a gift! I probably won't make as many big events this year, but I do hope to again average at least one author event of some kind each month.

I always aim for a total of 100 books read. I fell a couple books short in 2011, but I'll aim for 100 again in 2012. I wish it could be 1000. There are so many great books out there.

And above all, I want to continue to find new and creative ways to share my love of reading and crime fiction with you all.

2011 brought a lot of unseen changes, including reviewing for Shelf Awareness and joining the xuni.com team. I presented at the Great Lakes Independent Booksellers Association Trade Show and interviewed Val McDermid at Bouchercon. So I'm looking forward to more unforeseen and wonderful events in 2012.

Bouchercon will be hosted in Cleveland. I'm excited about that. I hope a lot of you will attend and that I have the chance to meet many more friends in real life.

Oh and I almost forgot Thursday marks four years of blogging for me! I'm pretty excited about that accomplishment. 

So tell me...what are YOUR reading goals for this year?


Friday, January 6, 2012

Tinker Tailor Soldier Spy - The Giveaway!

Today John le Carré's TINKER TAILOR SOLDIER SPY film from Focus Features hits movie theaters around the country...you know, not just in those select areas.

I was offered the opportunity to host a contest for the movie opening and I just couldn't pass it up. But before I tell you about the contest, take a gander at the movie trailer:




The film features Gary Oldman, Benedict Cumberbatch, David Dencik, and Colin Firth. It's directed by Tomas Alfredson

For those unfamiliar with the TINKER TAILOR SOLDIER SPY story, it's set in 1973 and the MI6 (Britain's Secret Intelligence) seems to be compromised. The government believes there's a double agent at work. A disgraced MI6 agent is called in to help look for the spy, only he becomes one of the five possible suspects, code names: Tinker, Tailor, Soldier, Poor Man...and of course, the Spy.




You can check out the movie's Facebook Page, the Focus Features Twitter account and see more video at the YouTube channel.
 
And to celebrate this release, I have TWO fun prize packs. They include: a movie tie-in copy of the TINKER TAILOR SOLDIER SPY book, a long-sleeve t-shirt, a voice recorder pen and a post-it note cube. Here's a picture of the spy swag:


I'm excited to be able to host the giveaway and thank the generous folks at Focus Features for providing the great prizes. I'm also really excited to see the movie (pssst! Did you see Colin Firth is in this movie! A spy thriller AND Colin Firth?). But I'm sure you want more giveaway details, so here they are: contest is open to U.S. residents - or if you know someone in the U.S. and you can use their mailing address, that works, too. Complete my short form below and leave a comment telling me what you would want your code name to be if you were a spy!  I'll draw two winners next Wednesday, January 11th, so you need to be enter by the end of the day on Tuesday.

Questions? Drop me an email. Good luck!

Wednesday, January 4, 2012

Chatting With Hilary Davidson

Yesterday marked the release of Hilary Davidson's award-winning THE DAMAGE DONE in paperback. Back when she was touring for the hardcover release (yes, I'm sorry, I'm embarrassing late on this), I interviewed Hilary. She shares some insight into THE DAMAGE DONE, her writing life and other fun topics. Unfortunately I didn't pick the greatest locale for the interview, so there are some noisy trains that pass through a couple times, but hopefully you're still able to hear o.k.

This is Part 1 of my chat with Hilary:




And if you're a GoodReads user, you can enter to win a copy of THE DAMAGE DONE. But however you get a copy, be sure to read this amazing debut (see my review here) and you'll be up to date next month when Hilary's second novel, THE NEXT ONE TO FALL hits bookshelves.

Stay tuned for more of my interview with Hilary still to come! Happy Reading!

Friday, December 30, 2011

2011 Overall Favorite Reads

Wow! We've come to the end of yet another year. Next month I will celebrate four years of blogging. Doesn't seem possible at all. A lot of growing and changing have happened in those years. A lot of new friends and of course a lot of books! I love that we can share that common bond.

But, before I start getting too sentimental, let's concentrate on 2011. This year I read 98 books, which was four below last year's total of 102. I try to aim for 100 each year, but given all the wonderful busy-ness of this year, I'm not at all disappointed in that total.

Of the 98 books, 47 were audiobooks - so almost half.

There were 83 different authors in the 98 book mix, 51 were new-to-me authors and 14 were debut novels. 65 books were written by men, 3 were written by male/female duos and 30 were written by women.

Now for the hard part. Winnowing down my favorite 10, but here we go:


10. THE HANGING TREE (Bryan Gruley) - this book was released in Summer 2010, so I was a little late in reading it, but Gruley blows me away with each book and I'm very much looking forward to his next book in this series, SKELETON BOX, that comes out next summer. I won't be waiting long to read that one, rest assured. STARVATION LAKE was great and THE HANGING TREE was even better. Can't wait to see what awaits Gus next. (Touchstone)

9. EL GAVILAN (Craig McDonald) - Craig consistently writes great fiction and with EL GAVILAN he stretched his wings a bit. I love that this book shows both his versatility as a writer and his traditional strengths as well. I love that he drew me in with characters I couldn't decide if I loved or hated. (Tyrus Books)

8. LONG GONE (Alafair Burke) - with every book Alafair Burke grows as a story teller and in LONG GONE she veered off the path she's been so successful with to date. She blazed a new trail proving yet again that she's got writing chops, y'all! Spending time with her characters in the NYC she so expertly creates is a treat. LONG GONE is possible the sweetest treat yet. (Harper)

7. DOMINANCE (Will Lavender) - WATCH. THIS. MAN. He is flat-out amazing. And he's young and with luck we will be seeing a lot more from him. DOMINANCE is complex and puzzling and mysterious and brilliant. This book was so much fun to read. And Will Lavender is a new-to-me author this year. DOMINANCE is his second novel. (Simon & Schuster)

6. SATORI (Don Winslow) - the very first book I read in 2011 and back then I said, "this will be on my favorites list" and it is. I loved SATORI as a book by itself, having not read SHIBUMI beforehand. After I read SHIBUMI I realized further how astounding SATORI is. Winslow managed to stay true to Travanian's characters and still infuse his own style and technique. SATORI is a work of art. (Grand Central)

5. THE SURROGATE/CAGE OF BONES (Tania Carver) - I'm putting these together, not trying to cheat, but CAGE OF BONES is not yet released in the U.S. I read both books this year, THE SURROGATE being the debut novel from Tania Carver - which is the writing team of Martyn Waites and his wife, Linda. Martyn writes independently under his own name as well, so it's not really his debut, but semantics. Like Bryan Gruley, I see the Tania Carver books as starting out great and only getting better. For those of you who like dark suspense, this is an absolute DO NOT MISS series. I'm hooked. I have to jump back and read THE CREEPER (due out in the US in 2012) - the middle book in the series - but once I'm all caught up this is definitely a series I'll be waiting impatiently for each new installment. Martyn's just thankful that he's across the pond so I can't camp outside his house waiting for the next book! ;-) (Pegasus)

4. THE TWO DEATHS OF DANIEL HAYES (Marcus Sakey) - The fact that I get to be a high-powered, kick-ass lawyer in this book has nothing to do with it's appearance on this list. And you should not hold Marcus' questionable choice in character names against him. This is the most amazing of his books. It's smart, fast-paced, brilliant plot twists. It keeps you on your toes and while the momentum of the book drives you to turn pages faster and faster, you don't want it to end. It's just too much fun. And that's what reading should be. (Dutton)

3. HELL IS EMPTY (Craig Johnson) - Yes indeed, I am an evangelist for this series. I do indeed have a crush on Walt Longmire. And if I didn't adore Vic so much, I'd want to kick her butt! O.k., don't worry, I do realize these are fictional characters, but when you're caught up in the books, they're friends. Breaking open a new Walt Longmire is like taking a vacation to my favorite destination. Prior to HELL IS EMPTY, KINDNESS GOES UNPUNISHED stayed my favorite, stayed my favorite, stayed my favorite and then HELL IS EMPTY rocked my reading world. There are so many wonderful layers to this book and you can enjoy one, some or all. (Viking)

2. YOU'RE NEXT (Gregg Hurwitz) - This book is always the hardest one for me to articulate why I love. Not because it's for bad reasons but rather because it affected me so deeply. This is a book that still resonates with me months after finishing it. The relationships that Hurwitz created between his characters are pulchritudinous (yes, I did learn that word just for this book...nothing else seemed to embrace the magnitude of what I was trying to say). I don't know how Gregg can tops this one, and how the heck can I top pulchritudinous if he does? (St. Martins)

1. THE RIDGE (Michael Koryta) - I, of course, revealed this last week in the year end meme. Michael's approach to both his human and feline characters is stunning. The world he created is dark and haunting, but I so wanted to be there. THE RIDGE gets the top spot this year because Koryta did what few are ever able to with me - he enticed me to let go of the reality I cling to and willingly follow into his. With any luck, Koryta will never want to be a cult leader. I think I'm a goner if he does. (Little, Brown)

In year's past, I've had debut authors in my top favorite 10. This year I didn't, but not because there weren't excellent debut authors, those danged veterans were just showing their experience! Anyway, I wanted to recognize a few debut authors as my favorites for 2011:

Sara Henry released LEARNING TO SWIM this year. I look forward to watching her grow as a writer and experiencing her work.

James Barney released THE GENESIS KEY which I felt did a wonderful job blending science, religion and crime! (Harper)

And Daniel Palmer released DELIRIOUS and I was glued to it. I've actually had the chance to read his follow-up to DELIRIOUS which is still a thriller, but quite different in content, so I can already see his versatility as writer in this genre. Problem with getting to read those ahead is you have to wait longer for the next one to come. I'm sure I can keep busy in the interim, though! (Kensington)

I feel very blessed that I learned to love reading and can appreciate the wonder and magnificence. While it's a challenge to narrow down a list to 10 favorites, it's also a tremendous gift to have experienced all of these worlds and characters - friends. My heartfelt thanks go out to all the authors who have shared their talents.

And many, many thanks to everyone who has entrusted me with books this year. I wish I was able to read every last one. And there are so many that I still intend to read. As things continue to change in my world, I hope that it offers me more opportunity to read and share and enjoy books with you all.

Thanks for hanging out with me this year! Let's do it again in 2012, o.k?

Thursday, December 29, 2011

2011 Favorite Audiobooks

2011 has been an especially satisfying year for my audiobook listening experience. I believe there is an art to teaming the best narrator with each story. And that art is further enhanced when the narrator is on the same wave as the book's author. Then add in the magicians who do the editing. To create a great listening experience from a great book, there is a considerable amount of time, consideration and effort.

There have been many wonderful matches between great narrators and exceptional stories this year. I've listened to 47 audios and hope to add at least one more. Coming up with my favorite list was quite challenging. However, I do have to say that since I haven't had a chance to listen to HELL'S EMPTY on audiobook yet, that helped a teensy bit!

After much hemming and hawing and re-reading my reviews, I've come up with my favorite audiobooks of 2011:
 
10. FALLEN (written by Karin Slaughter; narrated by Shannon Cochran) - if I am completely honest, and when you get through my list you'll see I really have no choice but to be honest, I have a harder time listening to female narrators than I do male. Very rarely do I find a female narrator who does male characters justice in crime fiction, at least for my ear. Cochran is one of the best I've heard. And not only did she exhibit a wonderful range for the gender of the characters, she gave each character a distinct sound within the Southern dialect, which was not over-the-top ridiculous like many can be. It had been a little while since my last dance through Slaughter's fictional world and I'd forgotten how much I enjoy her characters. This audiobook was a delightful treat for me. Kudos to the AudioGo team that made FALLEN happen.

9. PORTRAIT OF A SPY (written by Daniel Silva; narrated by Simon Vance) - I haven't had a chance to review this one, yet, but last year I finally discovered Silva's Gabriel Allon series and I jumped at the chance to listen to the newest on audio this year. Vance achieved a great feat in delivering a convincing Gabriel for me. It's hard to do when I've read the character first and developed an image and sound in my brain. But I have to say, I prefered Vance's to my own. Harper Audio gets the nod for this great audibook.

8. THE ALIENIST (written by Caleb Carr; narrated by George Guidall) - I know everyone on the planet but me had read this book prior to 2011, but have you listened to George Guidall read it to you?  Guidall is a master at picking up subtle nuances and humor, which were vital in THE ALIENIST. And while I've listened to him bring Walt Longmire to life book after book, Guidall still manages to completely recreate himself for each character in each book, so there were no echos of Walt only the sounds of the world Carr depicted through his words. The masterminds at Recorded Books get an enthusiastic round of applause on THE ALIENIST.

7. THE PALE BLUE EYE (written by Louis Bayard; narrated by Charles Leggett) - This audiobook was an astounding combination of story and narrator. Leggett nailed Edgar Allen Poe and, boy, did he ever tap into Bayard's humor.  THE PALE BLUE EYE was entertainment at its finest. The folks at AudioGo (formerly BBC America) did Bayard's fine work justice.

6. CROOKED LETTER, CROOKED LETTER (written by Tom Franklin; narrated by Kevin Kenerly) - Books like CROOKED LETTER, CROOKED LETTER can present special challenges that result in the audio being either a phenomenal performance or a dreadful bomb. The sense of time and place, the depth of character, the range and intensity of theme. Kevin Kenerly nailed ALL of it. A tip of the hat to the Blackstone Audio folks for this exceptional production.

5.  A SIMPLE ACT OF VIOLENCE (written by R.J. Ellory; narrated by Kevin Kenerly) - Maybe I should start up Kenerly's fan club? As with CLCL, Kenerly takes the challenges of a richly complex novel and gives them pitch-perfect sound. The atmosphere is vital to this novel and it's obvious that Kenerly is keenly aware of its importance. The mystery is enhanced through his tempo. Both of these novels are ones I imagine narrators would be tempted to over-dramatize. He doesn't go down that road, and the results are hauntingly effective. Exquisite. Again, the Blackstone Audio crew are responsible for this great audiobook.

4. THE BOY IN THE SUITCASE (written by Lene Kaaberbøl & Agnete Friis; narrated by Katherine Kellgren) Kellgren does a such a superb job of setting the book's tone in this narration. Kaaberbøl & Friis have created female characters who are determined, yet struggling. They are simultaneously fearful and persistent. Kellgren motivates the audience to feel that internal conflict, which I feel is essential to comprehending the full extent of this novel. This is another one from those AudioGo pros!

3. FUN & GAMES/HELL & GONE (written by Duane Swierczynski; narrated by Pete Larkin) I paired these two books up because they share the same author, the same narrator and the same trilogy. Pete Larkin not only understood Swierczynski and his humor, he appreciated the work at every level. Larkin IS Charlie Hardie: the gruffness of Hardie's life experiences, the submission to fate, as well as Hardie's intuition, intelligence and curiosity. As I've mentioned before I think these audios are the perfect storm of audiobooks and Hachette Audio is the team responsible for making that storm happen.

2. SHIBUMI (written by Travanian; narrated by Joe Barrett) I was so pleasantly surprised with SHIBUMI. Too often a books I love are ravaged by over-eager narrators who makes the writing sound like a daytime drama. SHIBUMI has the content to possibly encourage that, but I should have had faith in one of my favorite narrators, Joe Barrett, who just does not ever over dramatize. Nicholai Hel would have no place in his world for drama. He's calm; he's in control; and he's at peace. Barrett exemplified both that and Trevanian's beautifully sensual, rich novel. He also nailed the esoteric essence of the novel. Thanks to Blackstone for making this one happen.  

1. GOOD GRACES (written by Lesley Kagen; narrated by Lesley Kagen) I battled with the order of these last three as I think they are all spectacular, but I decided on GOOD GRACES for the top spot because Lesley Kagen pulled every emotion possible from me in the course of this audiobook. I laughed at things I remembered during my childhood; I cried for honest mistakes that change your world; I raged at intolerance; and I melted from the innocence of youth. It was a perfect audiobook experience for me. Nice job AudioGo!

So that rounds out my favorite audiobooks for 2011. What was on YOUR list of favorites that you listened to this year?

Check back tomorrow for my final post - my favorite overall reads of 2011.

Wednesday, December 28, 2011

The Devil's Highway to the Buckeye State - Craig McDonald

Last week I posted my review of Craig McDonald's EL GAVILAN. I have a guest post as a special holiday treat from Craig today. I know I really enjoyed this piece as it's especially relevant to me where I live. I hope you enjoy it as much as I did. Happy Holidays!


The Devil's Highway to the Buckeye State

My new novel, El Gavilan, examines the effects of illegal immigration and a single murder on one Ohio town. Many of those undocumented workers came to the Buckeye State via a torturous path dubbed the Devil's Highway.

The Devil's Highway technically runs between northern Mexico, across the Sonoran Desert wastelands of blasted-out ironwood and saguaro, and on up into Arizona. It's considered the deadliest stretch of ground to cover for those who would flee Mexico to America, yet thousands try every year and many don't make it to the other side.


El Gavilan opens with a quote of unknown provenance: "Never attach more feeling to a thing than God does."


The poet Ofelia Zepeda said of the region through which the Devil's Highway runs, "You need a new kind of prayers to negotiate with this land."


I'd argue the Devil's Highway knows no true end. The ones who do reach the American portion of the borderlands don't always opt to live out their days in Arizona, California or Texas. They head in deeper, trekking further north to make their meager living at myriad Mexican food restaurants . . . by mowing lawns or picking fruit for half-minimum wages in Georgia or Michigan and all points in-between.


Like the Oakies chased from their homes by the Dust Bowl tragedy nearly a century before -- the destitute immortalized in John Steinbeck's novel, The Grapes of Wrath -- men and women fleeing Mexico for El Norte found their path hastened by the American highway system. Route 66, "The Mother Road," may not be doing so dandy these days, but the U.S. interstate system is cranking right along.


A recent immigration study puts a fine point on it: "Ohio has the nation's 10th largest highway network and is within a single-day drive for half of North America's population. Ohio contains 70 percent of the country's manufacturing capacity. The state links the Northeast and Midwest; thus, much business and cargo traffic passes through its borders on this well-developed highway network. Ohio's economy is primarily based in Agriculture and Industry."


In other words, and in any language: Ohio=Prosperity. (Or it used to; these days, Ohio is just about the hardest hit state economically outside of Michigan.)


But circa 2005, or thereabouts, before the housing bubble burst, my corner of Ohio was literally swamped with undocumented workers. Like drunken sailors, developers were plowing under acres of corn and soybeans and platting out vistas of cookie-cutter subdivisions constructed largely through the sweat and effort of illegal immigrants. The bastards trucked them in by the dozens in old Ford Aerostars to frame-out houses for chump change wages. (An exposed wall of one side of my garage—a house built circa 2000—is covered with Spanish writings scrawled in Sharpie).


The influx of undocumented, unassimilated workers changed the face of central Ohio, nearly overnight. As a journalist, I saw results some while before the average Ohio citizen maybe took notice. When the citizenry of central Ohio realized what was happening, handwringing ensued. Racial tensions rose, then spiked.


The impact on infrastructure and public services here in Ohio was profound.


The immigration report put it this way, by the numbers: "Seventy-two percent of the total population growth between 2000 and 2006 in Ohio was directly attributed to the immigrant population . . . The annual fiscal cost to Ohio taxpayers for emergency medical care, education and incarceration is currently $224 million and is estimated to rise to $372 million per year in 2010 and $627 million per year in 2020."



When the Great Recession hit, a number of undocumented workers ventured back across that dusty line, suddenly finding prospects more enticing in the Mexico they'd earlier fled than in the financially decimated wastelands of post-recession America.


My aim in El Gavilan was to take one family's immigrant experience, trace it up into Ohio, and then watch the ripples flare out when a member of that family falls prey to a seemingly racially motivated spasm of fatal violence.


But before the murder that fires the story of El Gavilan occurs, there is another scene of violence and loss, very near the start of the book:


El Gavilan opens with a tragic fire that claims more victims than necessary when first responders and Latino firebombing victims aren't speaking the same language. Failure to communicate literally kills. The scene is based on all too real firebombing in Ohio that occurred in a mostly Latino, non-English-speaking apartment enclave in what had formerly been a white, working class neighborhood.


The victims were part of a family who'd chased prosperity from central Mexico all the way to Ohio's Capital City -- braving and surviving the passage through the desert wastelands only to be taken down deeper along The Devil's Highway, taken down in Ohio, "the heart of it all," as our state's publicists like to phrase it.


© 2011 Craig McDonald, author of El Gavilan



Author Bio
Craig McDonald, author of El Gavilan, is an Edgar®-nominee and an award-winning journalist, editor and fiction writer. His short fiction has appeared in literary magazines, anthologies and several online crime fiction sites. His debut novel, Head Games, was published by Bleak House Books in September 2007. Head Games was selected as a 2008 Edgar®-nominee for Best First Novel by an American Author. Head Games was also a finalist for the Anthony, Gumshoe and Crimespree Magazineawards for best first novel. His nonfiction books include Art in the Blood, a collection of interviews with 20 major crime authors which appeared in 2006, and Rogue Males: Conversations and Confrontations About the Writing Life, a second collection of interviews published by Bleak House Books in 2009. McDonald was also a contributor to the NYT's nonfiction bestseller, Secrets of the Code. He recently won national awards for his profiles of crime novelists James Crumley, Daniel Woodrell, James Sallis and Elmore Leonard. His new novel, El Gavilan, is available from Tyrus Books.


For more information please visit http://www.craigmcdonaldbooks.com, and follow the author on Facebook and Twitter

Tuesday, December 27, 2011

GOOD GRACES - Lesley Kagen

First line: "That summer earned itself a place in the record books that's never been beat."

Lesley Kagen returns to Milwaukee and her O'Malley sisters - Troo and Sally - in the sequel to Whistling in the Dark. But, if like me, you are just discovering the wonderfulness that is Lesley Kagen, you needn't worry about reading Whistling in the Dark first. You'll likely want to return to it after experiencing the summer exploits of these "Irish twins" as they fret over a town bully who's escaped from reform school, a series of home invasions, a run-away orphan, their mother's annulment and the popular parish priest who just doesn't sit right with Sally. Narrated by Kagen, herself, the summer of 1959 comes alive through the eyes of Sally with a realism rarely, if ever, so astutely rendered by an adult.

Sally has been saddled with the responsibility of looking after Troo. Her father asked this of her shortly before he died of injuries from a car accident. The young, impressionable and devastated Sally promised her father, and she fully intends to live up to that promise. Only Troo is a hard one to keep pinned down and out of trouble. Troo is spirited and rebellious and regularly finding herself in hot water.

Kagen's characters are so profoundly drawn readers will likely recognize younger versions of themselves and friends they knew growing up. Kagen doesn't just pull readers into her story, she pulls them back into their own stories - to 'Ghost in the Graveyard,' penny candy, soda fountains and Breck girls. Making that kind of connection with a book turns the story into something far more memorable than simple entertainment.

Most readers are familiar with the eye rolls and sarcastic tones of the younger lots. We used those devices ourselves and have watched our children discover them as well. In her narration of Good Graces, Kagen gives voice to the growing pains of adolescence as well at the compassion of caring adults, the self-centered obsession of egotists, the all-consuming regret of the remorseful. And on top of everything else, she transports us back to 1959 Small-Town USA. The sights of a Fourth of July fireworks display, sounds of the playground, smells of picnics and zoos and summer camp, all rolled into an incredible listening experience.

The author's name listed as the audiobook's narrator often gives cause for dread, but in the case of Good Graces, I don't believe another narrator could have done even half as well as Kagen, a former radio DJ, commercial voice and television actress. All the nuances to which Kagen is so intimately attuned deliver their desired effects through her professional training and her obvious adoration of the world and its inhabitants she's created.

There is a richness to Kagen's writing, a richness that remembers the innocence and clarity of childhood:


"It's so hard to lose someone you love. Our hearts growl for Daddy the same way our tummies do when we're hungry. It must be even worse for Mr. Kenfield. I know my daddy's gone forever in the deep blue of the western sky. I'll never hear the sound of his voice again or feel his late-day whiskers on my cheek or spend time after supper curled up on his lap listening to his happy shouts when Hank Aaron hits a homer on the radio. But Mr. Kenfield's daughter is not dead. She's out there somewhere. I bet if my old neighbor had it to do all over again, he wouldn't have sent Dottie away to the unwed mothers' home the way the church told him to do."

And there's a warm humor that makes you laugh out loud and reminisce:

"'You've got the wrong idea about our church,' I tell Ethel. 'You've only been up there for funerals. You don't know how bad it can get.'

'Mmmmm...hmmmm.' In southern, that means, Go on, tell me more.

'You gotta starve yourself for hours before you receive Holy Communion.' Ethel would especially not like that part. She adores a big country breakfast with ham first thing every morning. She wouldn't like the taste of the body and blood of Christ. He's really bland. (I'm too nervous to bring this up to anybody who might know the answer, but isn't swallowing down Jesus kinda like being a cannibal?) 'And the nuns, they got ways of torturin' people that are worse than the Red Chinese.'"

Good Graces encapsulates all the elements of a good book by my reading standards: endearing characters, rich experiences, suspenseful plot elements, intelligent humor and sincerity. I can't believe it took me this long to discover Lesley Kagen's work, but I'm extremely thankful I finally did.

Good Graces is without a doubt, the audiobook highlight of my year. There simply wasn't a bad element to the production, not even a mediocre one. It is superb at every turn and I can't recommend it highly enough. This would be a fantastic audiobook for someone just considering the possibility of audiobooks for themselves.

Good Graces is available on audio download from AudioGo (ISBN: 978-1-609-98525-7) and in print from Dutton (ISBN: 978-0-525-95238-1)

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If you have any questions concerning disclosure of review copies obtained for this blog, you can read the disclosure notice posted here. No other compensation is accepted beyond review copies of books, and they have been tagged (beginning Oct. 10, 2009) in their labels with "review book." If you have questions, please feel free to contact me.

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